“An Eastern European Ridley Scott… the cultural commentary of Szulkin’s oeuvre is universalist… their future is our now.” – Ela Bittencourt
“The Polish ‘cinema of anxiety’ soars from this globe within the work of Piotr Szulkin… the movies thrive on imaginative eyesight and sociological absurdity.” – Steve Dollar, Wall Street Journal
Movie at Lincoln Center is happy to announce Sci-Fi Visionary: Piotr Szulkin, a retrospective celebrating one of Poland’s many filmmakers that are revolutionary September 6-8.
A director, screenwriter, novelist, theatrical director, and painter, Piotr Szulkin frequently encountered censorship through the Polish Communist regime of this belated ’70s and very very early ’80s for their unabashedly governmental works. Szulkin’s films that are profoundly imaginative be considered as existential stories, absurdist parables, or premonitions about contemporary society’s hostility as well as the evils of totalitarianism. Drawing from 20th-century philosophy and Polish medieval literary works through speculative fiction, noir, and grotesque allegories, Szulkin masterfully wielded the shoestring budgets afforded him to produce shockingly iconoclastic technology fiction movies. Referred to as “the undiscovered Fritz Lang of 1980s Mitteleuropa” (Michal Oleszczyk, RogerEbert.com), Szulkin made movies which were seldom seen away from their native Poland but which continue steadily to resonate with chilling truths about humankind, drawing eerily prescient parallels to the present global climate that is political.
Among the largest retrospectives of their work up to now, Sci-Fi Visionary: Piotr Szulkin provides an array of brand brand new electronic restorations and brought in movie images. The show showcases most of Szulkin’s features, including their audacious cult classic Golem , usually considered a precursor to Blade Runner ; The War associated with the Worlds: Next Century, a reimagining of this H.G. Wells novel as well as an indictment of mass media’s impact on civilians; O-Bi, O-Ba: the finish of Civilization , which follows the residual survivors of a nuclear apocalypse because they watch for a mythical Ark to truly save them from their serious situation; Szulkin’s research of feminine sex into the increasingly delirious and erotic Femina ; the dadaist Ga, Ga: Glory to Heroes , which follows a prisoner aboard a penitentiary spaceship while he is delivered for a objective to a authorities state hell earth; and Szulkin’s last film, King Ubu , in line with the 19th-century Albert Jarry play, a brutal commentary on modern Poland when you look at the aftermath for the Communism Szulkin criticized throughout their profession. Also, the retrospective will emphasize Szulkin’s film that is short, such as the folklore-inspired morality play Dziewce z ciortem plus the documentary Working Women .
Presented in collaboration because of the Polish Cultural Institute nyc.
Arranged by Florence Almozini and Tyler Wilson.
Tickets carry on sale Thursday, August 15 and are usually $15; $12 for pupils, seniors (62+), and individuals with disabilities; and ten dollars for movie at Lincoln Center users. Save utilizing the purchase of three seats or maybe more.
Acknowledgments: Polish Cultural Institute Ny; Daniel Bird
FILMS & DESCRIPTIONS All tests happen in the Walter Reade Theater (165 western 65th Street) unless otherwise noted.
Femina Poland, 1991, 35mm, 84m Polish with English subtitles After her husband leaves for a prolonged company trip and her mom dies, a coolly detached, bourgeois housewife (Hanna Dunowska) embarks on an outre carnal odyssey searching for intimate satisfaction, leading her into increasingly deranged, sinister realms as memories from her childhood mingle with fever-dream seductions. Equal components coming-of-age nightmare, softcore satire, and surrealist cantata, Szulkin’s delirious erotic fantasia unfurls in a nonstop rush of indelibly uncanny images—from a free-floating apparition of the lusty Joseph Stalin to a couple of shockingly randy puppets—as it savages faith, hawaii, as well as the concept of the nuclear family members.
Preceded by: brand New electronic renovation Working Women / Kobiety pracujace Poland, 1978, 6m U.S. Premiere Stylized with dramatic interiors and a distorted framework price, this very early documentary miniature from Szulkin illustrates six sequences of solitary, repetitious work. Saturday, September 7, 4:30pm Sunday, September 8, 8:00pm
Ga, Ga: Glory to Heroes / Ga, Ga – Chwala bohaterom Poland, 1986, 35mm, 84m Polish with English subtitles Resistance is useless in Szulkin’s stunningly nihilistic dystopian satire. In the next where life on the planet happens to be therefore wonderful that only prisoners can be used for the dangerous company of room research, poker-faced intergalactic inmate Scope (Daniel Olbrychski) is delivered on a seemingly condemned objective to a planet that is uncharted. Upon their arrival, he discovers some sort of curiously just like a dilapidated, postapocalyptic world, where he could be welcomed because of the population as being a “hero,” an ignominious honor, he quickly learns, that accompany a many barbaric fate. Using the film’s accordingly nonsensical name from the babble of their child child, Szulkin provides a bleakly acerbic commentary on the absurdity of life in a authorities state. Friday, September 6, 4:30pm Saturday, September 7, 8:30pm
brand New electronic restoration Golem Poland, 1980, 92m Polish with English subtitles in a few dystopian future, experts make an effort to produce a unique, pliable competition of people. a apparently ordinary item of this work, the genetically engineered Pernat (Marek Walczewski) is susceptible to round-the-clock monitoring as he goes about their life amidst drab Soviet bloc architecture. Szulkin’s feature that is bold, styled in sepia tones and dramatic illumination, happens to be called a precursor to Blade Runner , but its name additionally appears back once again to a more ancient misconception of creation and morality.
Preceded by: brand brand New restoration that is digital Gal in addition to Fiend / Dziewce z ciortem Poland, 1976, 14m Polish with English subtitles U.S. Premiere Szulkin stages a morality play in regards to a sinful woman’s encounter with all the devil, set into the Polish ballad of the identical title and imbued with folkloric imagery. Friday, September 6, 6:30pm Saturday, September 7, 2:00pm
New restoration that is digital Ubu / Ubu krol Poland, 2003, 90m Polish with English subtitles U.S. Premiere predicated on Alfred Jarry’s late 19th-century, proto-Dada political satire Ubu Roi , Szulkin’s last movie is a crazy, carnivalesque commentary on post-Communist Poland for which drunken degenerate Ubu (Jan Peszek) seizes control over the monarchy in a supposedly “democratic” takeover (their signature policy: universal free alcohol) simply to institute his very own absurdist, tragicomic reign of terror. Upgrading Jarry’s iconoclastic eyesight with a brand new dosage of dark, post-Soviet cynicism, King Ubu can be an incendiary summative statement from an artist whom devoted their profession to lobbing grenades in the equipment of totalitarian governmental corruption. Sunday, September 8, 6:00pm
brand brand New restoration that is digital, O-Ba: The End of Civilization / O-bi, O-ba – Koniec cywilizacji Poland, 1985, 88m Polish with English subtitles What stays of mankind post–nuclear apocalypse is restricted up to a squalid underground bunker where survivors toil desperately to uphold the past vestiges of civilization. These are generally spurred in by their fervent belief in a fabled Ark that may deliver them from their residing hell—a misconception propagated by the powers that be, and distribute, in component, by the increasingly disillusioned smooth (Jerzy Stuhr) as he tries to prevent total collapse. Involved in an expressionistically grimy, grey- and blue-toned palette, Szulkin crafts a shattering existential parable concerning the false claims of politics and faith that plays down such as a Sisyphean journey into madness. Saturday, September 7, 6:30pm Sunday, September 8, 4:00pm
brand New electronic renovation The War associated with Worlds: Next Century / Wojna swiatow – nastepne stulecie Poland, 1981, 96m Polish with English subtitles specialized in both H. G. Wells and Orson Welles, Szulkin’s followup to Golem starts utilizing the Christmastime takeover of Poland with a band of hyperintelligent, bloodthirsty martians (played by silver-painted dwarfs in puffer jackets) who enlist hapless television newscaster Iron Idem (Roman Wilhelmi) because the sound of the 1984 propaganda machine that is-esque. However when Iron dares to set off message, he makes an enemy also higher than the aliens: the continuing state it self. Released in the same way Poland was being plunged into martial legislation and straight away prohibited, The War regarding the Worlds: Next Century is a disturbingly prescient allegory of energy, control, and media manipulation in a world that is post-truth. Friday, September 6, european bride 9:00pm Sunday, September 8, 2:00pm